Sing Your Songs

The last time I wrote a long form blog was to articulate why I was a supporter of Hillary Clinton and ally for women’s equality. Shockingly, the case for was defeated in favor of a rich, white con-man whose false promises appeal to the rage and fear generated by an ever changing world.

Election night of 2016 was a stunning moment. Looking back, I’m ashamed at my own response. I saw people openly weeping. I heard too many stories from those close to me about the hopelessness and hurt they were feeling. The glass ceiling was firmly back in place. Voter apathy was never more damaging. White nationalism was made mainstream. The thousand lies from a man who were not equal to the sin of one lie from a woman. The idol of the rich, white man (on both sides) was revealed as the real symbol of America – not the shining city of the hill that Ronald Reagan once so nobly described.

As someone firmly rooted in the Left, I have no problem saluting Ronald Reagan. Or George W Bush. Or George HW Bush. Or Mitt Romney. We’re not in a Left vs Right struggle now in America. We’re in the midst of a moral crisis in which we as a nation are deciding who we are.

Now, I want to be clear about something – it is now more than apparent that a hostile foreign power interfered in this election. We do not have a legitimate President at the moment. The office is filled but it is vacant. He should not be recognized and how that story plays out is a long way from over.

But the Russian interference does not take away from the rampant “fear of the other” on the side of the right. Nor does it take away from the exceptional privilege on the left. To put the needs of a progressive ideology over the needs of the many pretty much cancels out said ideology.

So who are we? What are we doing?

Election night when they called Florida for Trump, it felt like the death blow. The path to victory was pretty murky after that. Like a lot of folks when dealing a befuddling question, I took to social media. I went on to facebook and wrote something along the lines of:

“OK, if he wins, what do we do?”

Despite being a scatter-brained creative who likes to color outside the lines and fill his blog with typos, I’m blessed with a healthy sense of pragmatism. Yes, I know how oxymoronic that sounds but that’s where I like to live. I would have no success in the arts if I didn’t have a strong sense of practicality.

So what do we do?

It’s late June, 2018. The election has only become more stunning. The unthinkable nightmare is the new normal. I cannot believe he’s lasted this long. I’m a lot more upset about him now then I was when he was declared victor. And with 2020 around the corner (for you younger readers – time really flies by as you older) it appears that he maybe there even longer.

In the almost 2 year timeframe, I and many others have marched in protest at the injustice and rampant corruption. I know people who’ve not only volunteered but have become involved. As in running – and winning! – in local elections. There is a blue wave. It is real. It is not future tense. It’s happening.

But is it enough? And does it quell the feeling of helplessness when children are screaming in cages for the simple fact that they were born a different color?

So what do we do?

It’s been an odd feeling for me. Recently, Murder Made Easy played at the Dances With Films Festival here in Hollywood. (We played the Chinese Theatre – I mean, HOLY SHIT) I had the great fortune of meeting a slew of great filmmakers. They had noble stories of how to fix the world, confronting today’s problems, tackling inequality and breaking the injustice at its core.

And then they’d turn to me and say “What’s your movie about?” Sheepishly, I responded “well, it’s an old fashioned murder mystery.” At times it felt like one going to a civil rights protest but their main contribution was bringing the snacks for everyone.

However, everyone lit up. Smiles widened. When asked by the festival what I felt people should walk away from Murder Made Easy with I said simply, “Fun. Indie movies can be fun.” Several  of my fellow filmmakers concurred, telling me, “we need fun movies – especially today.”

Love letter to Agatha Christie aside, I do actually write stories which tackle the human condition, how we hurt each other as we help ourselves, despair, isolation, self-destruction. Those are things I like to write about. And again – it’s fun.

So for a few hours though, a movie can help us deal, can keep us sane, can help us catch our breath as we continue to say “no more” “enough” and “resist.”

We need to keep marching. We need to keep calling. We need to keep protesting.

And the artists out there – we need to sing our songs. I believe it was Johnny Cash who said after 9/11, an artist had to put pen to paper. Just to try to understand.

Our attention spans have become hyper-focused on the moment. Yes, we are in a national moral crisis. But it’s easy to forget we are in just the latest national moral crisis.

The DNC called me a few days after the election and told me that we are doomed without fundraising help. I told them, if we doomed, I’m not going to waste my money on a futile gesture. The poor fellow on the other side didn’t have much of response. His talking points were to point such an awful picture that people would scared into giving over money.

My experience has taught me that fear can be a terrible motivator. There is a strong argument agains that sentence but in this situation, I refuse to believe in doom. I’m not blind to the threat we’re under. I’m not turning away from the blatant racism that the US government is perpetrating at the border. And I’m not going to rationalize a single thing this administration has done.

But the path out, I believe, is through one of hope.

The more we believe we’re doomed, the more Putin has won. But the fact is we have a track record with some of this stuff.

We as a nation did not accept slavery. We fought our way out of that. Yes, massive prison reform is needed. John Legend sang his songs and is bringing attention to that.

The unrest we’re facing today kind of pales when compared to the 1960s. Sure, the hippies grew up to be the 80s Reagan’s and yes, red hats remind us that the desire to segregate remains strong. The marches must go on. And as we march we must remember – it was not a sense of “we’re doomed” that drove people across the bridge in Selma.

I didn’t defriend or block any Trump voters on facebook. I actually talked someone out of voting from Trump when I should them a speech from Trump where we said he would proudly eliminate her job. I get why many are turning their backs but I’m not sure that’s the answer. Nelson Mandela shook hands with his captors upon release from prison.

Sing your songs. Many who voted for him rationalized injustice, ignored racism and embraced their fears. Sing your songs. Let them know. You’ll be surprised how many will hear you.

It’s easy to feel like being creative is a waste of time. But look at many of your favorite artists and movies. I don’t need to see your collection but I know some if not many were inspired by times such as the one we’re in.

Sting sang about fields of gold but he also sang about the exploitation of the working class. “Brass watch, a check, maybe three weeks to live…”

Every look up the “Sunday Bloody Sunday” U2 sang about?

The heavy metal I grew up on featured some of the harshest criticism of war out there. And speaking of, the final episode of Blackadder Goes Fourth – a sitcom – is possibly the most powerful piece on World War I that I’ve ever seen.

Children are being ripped from their families. I’m seeing the new tax laws just brutalize people’s finances. Around the world, we are no longer being recognized by the allies with whom we defeated genuine evil.

Future generations are going to look back on these very days and ask “How?” Just as we do looking back on the insanity of slavery and the absurdity of segregation.

So sing your songs. We need them. Nope. It won’t fix everything. It won’t replace practical action like protest, volunteering and getting involved. But they will help.

We need to laugh. We need to hope. We need to be inspired. We need to counteract our worst ugliness with our purest beauty.

In pain? Sing your song – someone else in pain needs it. Badly.

Helpless? Sing your song – it will help someone else.

Hopeless? Sing your song – it will bring hope to others.

Sing your songs. They will drown out the vile hatred that comes screaming from under a red hat.

My signature for all my writing correspondences for a while has been “Keeping fighting the good fight.” It’s a phrase that can be traced back to the Bible. And I used it as an anthem of encouragement to my fellow writers as we all face times of rejection and self-doubt. It takes on a much more literal meaning nowadays.

So dear reader, we will talk more soon. Until then, keep fighting the good fight and sing your songs.

Below is one of oldest and dearest friends who’s been an inspiration to me, Genevieve, singing her song on one of the Sing for Hope pianos in New York City. Go on and give her page a like, then go sing your songs.

https://www.facebook.com/genevievemusicpage/videos/634820003545975/

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A Tiny Bit Of Inspiration: An Interview With Kyle Newmaster

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Writing music feels like voodoo to me so it’s with great pleasure I welcome composer Kyle Newmaster to the show. Kyle is a classically trained musician who studied jazz before turning his hand to movie soundtracks. A lifelong fan of the movies, Kyle has scored a variety of films including “Where Hope Grows”, “ABC’s Of Death 2”, “Something Wicked” and “The Myth Of The American Sleepover.” With “Star Wars” in the air, we also touch upon Kyle’s work on video games for the famous saga.

at piano        At Abbey Road

Kyle gives us a detailed rundown on how a movie score is completed, from those first notes on a piano all the way to orchestration. The process is not that different from that of screenwriting as we found many similarities in our discussion. Sometimes creative endeavors seem impossibly daunting but Kyle offers great insight on how to tackle them one step – or note – at a time. Enjoy:

For more on Kyle and his music, check out his website:

http://www.kylenewmaster.com/

Kyle’s IMDB page is here:

http://www.imdb.com/name/nm1786083/?ref_=fn_al_nm_1

For samples from his Kinect soundtrack:

https://soundcloud.com/kylenewmaster/sets/kinect-star-wars-soundtrack   

The Handsome Timmy D Express is proud to be a part of:

The Dan & Travis Show Podcast: An Awesome Thing

http://thedanandtravisshow.libsyn.com/

and 

The Chronic Rift: A series of podcasts that attempt to “find the culture in pop culture.”

http://www.chronicrift.com/

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PSALMS: THE MAKING OF AN ALBUM: AN INTERVIEW WITH JON MATTHEWS

I’ve got a slew of interesting artists and filmmakers coming up on The Express and we kick things off with Jon Matthews. A graduate of NYU film school, Jon’s latest project is a documentary that seeks to both unify and inspire. In “Psalms: The Making Of An Album” Jon is planning on bringing together a group of Jewish Appalachians and Jewish Ugandans to record an album together.

This is a concept that’s eye-opening in breaking regional stereotypes but also aims to get to the root of our cultural roots. There is currently a kickstarter campaign to help finance the film and the recording of the album. Jon tells us how a series of chance meetings and a love of his home-state of West Virginia inspired this unique endeavor.

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Jon’s made a previous documentary about his family as well as an NYU film starring James Franco, Whoopi Goldberg and Olivia Wilde. Utilizing his successes, Jon’s career is now broadening into the world of screenwriting and commercial directing. In this interview, Jon tells how all of these skills intersect. And we’ve even got some tips on networking. If you’re looking to write your first script or make your first film, this is a very valuable listen. Enjoy:

The Kickstarter for Psalms can be found here:

https://www.kickstarter.com/projects/1058569683/psalms-the-making-of-an-album

More information about the Surviving Cliffside documentary can be found here:

http://www.survivingcliffside.com/

As mentioned in the show, here’s a link to Kin Ship Goods:

http://www.kinshipgoods.com/

Jon’s IMDB:

http://www.imdb.com/name/nm4586881/?ref_=fn_al_nm_1

You can find Jon online here:

twitter.com/jonmatthewswv

https://www.facebook.com/jonmatthewswv

The Handsome Timmy D Express is proud to be a part of:

The Dan & Travis Show Podcast: An Awesome Thing

http://thedanandtravisshow.libsyn.com/

and 

The Chronic Rift: A series of podcasts that attempt to “find the culture in pop culture.”

http://www.chronicrift.com

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Who’s Paul McCartney?

“Larry Bird’s not walking through that door, fans. Kevin McHale is not walking through that door, and Robert Parish is not walking through that door. And if you expect them to walk through the door, they’re going to be grey and old. What we are is young, exciting, hard-working, and going to improve. People don’t realize that.” – Rick Pitino as coach of the Boston Celtics in 2000.

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My posting of the Paul McCartney pic should assure you that I do in fact know who Paul McCartney is. However, a few days ago as I’m sure you heard, this happened:

http://entertainthis.usatoday.com/2015/01/05/genius-alert-kanyes-fans-thank-him-for-discovering-unknown-artist-paul-mccartney/

If your social media feeds are like mine, you saw (or maybe yourself posted) many a message of woe that civilization is lost because a new generation of young people don’t know who Paul McCartney is. These HANDFUL OF TWEETS even got coverage on national outlets like number one rated morning show “Good Morning, America.”

However, if one digs just a little deeper there’s this probably not-as-widely read piece about the “Unknown Paul McCartney” scandal: http://www.billboard.com/articles/news/6429435/kanye-fans-asking-who-is-paul-mccartney-joking

I was quite disturbed by this whole affair – and not by people who didn’t know who Paul McCartney was. But rather by the vitriolic rage that’s spewing from a no-right-to-be-this-indignant older generation.

Let’s just say for the sake of argument that these Kanye fans were not joking and that they genuinely had no idea who Paul McCartney is.

First of all, the number of fans tweeting this is so infinitesimally small it in no way could be used to gauge the overall knowledge of their respective demos at all. It was worth no press coverage at all. A few people not knowing something that’s accepted common knowledge is not a story.

Secondly, there’s a very important question people forgot to put this into its proper context. Some young people on twitter don’t know who Paul McCartney is – Why should they?

Seriously, why should anyone under 25 be THAT familiar with Paul McCartney. “He’s a cultural icon.”  Yup. He sure is. Paul McCartney changed music, culture and maybe even the whole world itself thanks to his work with the Liverpool skiffle band, The Beatles. And his work with Wings and his solo career is more than enough to get anyone get on their knees and say “We’re not worthy.”

He’s also, like, just plain awesome:  http://youtu.be/m_zf6kYvR8k

Paul McCartney, if you’re reading this, if we ever meet, the first pint is on me.

(Side-note, I had the good fortune to meet Ringo Starr on several occasions. Top gent & very nice man.)

But Paul McCartney, I think would also be the first to agree that maybe today’s generation isn’t really all that familiar with the music that was the cultural norm OVER FIFTY FUCKING YEARS AGO. Maybe, just maybe, that’s why Paul McCartney is recording with an artist much more in tune with today’s audiences. An artist like Kanye West.

It’s easy to look at a 15 or 20 year-old who doesn’t know all the words to “Yesterday” and be like “What? You don’t know that song? What’s wrong with you?”  But honestly, think about how much of a dick move that is.

The Beatles are not on every street corner. Their posters aren’t in record store windows. There aren’t even record store windows anymore. They’re not on the covers of magazines every month. Their ubiquitousness in our culture, like it or not, fades with each passing year.

The Cultural Zeitgeist is not, as many aficionado would have you believe, a sacrosanct permanence. It’s more fluid than a raging river changing all the time in ways faster than we can keep up with.

The kids today are not growing up on the things we grew up on. And they shouldn’t. Today’s Doctor Who fans watched David Tennant & Matt Smith while my generation’s watched Tom Baker & Peter Davison (and wondered what it was like to see William Hartnell & Patrick Troughton as they aired.) Today’s wrestling fans are not cheering on Hulk Hogan & Randy Savage. They’re rooting for John Cena & Daniel Bryan.  Today’s Star Wars fans will not be watching Empire Strikes Back 50 times over and over again. With hope, they’ll be watching The Force Awakens 50 times over and over again.

(Fingers crossed about Star Wars but that’s another story for another blog)

One generation is under no obligation at all to spend their leisure time in deference to another. Today’s kids owe it to no one to like or ever even listen to The Beatles. Now of course, I think they should. The Beatles are one of the truly great bands of all time – and not just because they got there first. But publicly shaming anyone who had the temerity to not grow up the same time as you is NOT going to get anyone to agree to a certain line of thinking.

Instead of screaming “What’s wrong with these idiots?!?!?” Maybe it’s a better idea to, I don’t know, introduce them to The Beatles. We all know Millennials. We all know young people who’ve not seen all the stuff we’ve seen. I have a sneaking suspicion they’re interested in quality entertainment and maybe, if presented nicely, would be very open to being introduced said classics. 

Maybe instead of hating your nephew because you like U2 and he likes Coldplay, introduce him to U2. He may love them more than Coldplay.

Maybe instead of shaming those younger coworkers for not seeing Ghostbusters – explain why it’s a classic & it’s worth their precious 100 minutes to give it a shot. (I worked with someone who never saw Ghostbusters. She was born two years after it came out. It was never a part of her culture. That is NOT her fault. She doesn’t deserve to be made to feel bad about that.)

Maybe instead of sneering down our noses creating a divide between generations we need to be reaching across the aisle so to speak, because after all, aren’t we all looking for good shit to enjoy?

Besides, it goes both ways. When you were 15 way back in the 1980’s or whenever, did you know who The Beatles were? Ok, you probably did. Media was a lot less crowded then. Besides, Paul McCartney recorded with Michael Jackson (probably for the same reason he’s recording with Kanye.) A friend on Facebook brought up that he knew all about Elvis too.

OK, fine but in 1987, were you listening to Del Shannon, Robert Johnson, Bill Hailey & The Comets, Buddy Holly & The Crickets, Etta James, Cole Porter and Jerry Lee Lewis OR were you listening to Def Leppard, Poison, Bon Jovi, INXS and Van Halen?

Also, a bunch of over 30 folks are incensed at people for not knowing Paul McCartney but how many of those folks know more than one Nicki Minaj song?  How many have been to a Lady Gaga concert (I have! It was awesome)? How many can name the bands who are topping the iTunes download charts or are the most-played on the rap stations?

When I first heard the name Iggy Azalea I thought that was a song off the new Primus album.   

“But Tim, our generation’s stuff was SO much better than today’s”

Really?:

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I’ve written about the need to stay current before in regards to screenwriting and I think it’s a topic I’ll be revisiting again and again because I’m a part of a generation that appears to want to keep its feet planted in either the 80’s or 90’s. We’re being dragged kicking & screaming into the 21st Century and have quickly fallen into the “What’s wrong with the kids today?” snobbery that I found so repugnant when I was one of those kids today.

I was very fortunate to be exposed to some great classic rock when I was getting into heavy metal as an angry young teenager (gulp) all those years ago. But if it wasn’t for an older brother who was a diehard Pink Floyd fan playing them all the time, I’m not sure I ever would have picked up any of their stuff. I was too busy moshing to Metallica and Anthrax to care about crusty old 70’s rock. As a film buff, it was The Wall movie that entranced me and I did become a Pink Floyd fan in my teens. Even saw the last US show ever at Giants Stadium in 1994. That doesn’t make me better than younger Floyd fans. It only makes me older than them.

But The Beatles? I bought my first Beatles record when I was 19. Black Sabbath, I believe I was 18. Led Zepplin? I actually got into them in 2002 at the ripe old age of well, as young some of these so-called ignorant, stupid and possibly joking Paul McCartney tweeters. I was into Queen but that was because they were still releasing material (and great material at that) in the late 80’s. When I heard “I Want It All” I had no idea about “Bohemian Rhapsody” or “Fat-Bottomed Girls” or “I Want To Break Free.” And I owe no one an apology for that.

People can get mad at the changing times all they want. Industry pros like us screenwriters, I’m not sure we have that luxury. If we want to write movies that speak to audiences in 2015, we can’t write movies for 1984. There’s a reason why some of the tricks used in Top Gun and Rocky III aren’t going to work today. (“But everyone watches Rocky III on cable.” Sure, and everyone hated Iron Man II.)

People will always want good stories and compelling characters but the delivery genres, styles and platforms are in constant flux. And of course there’s homages & love letters to times gone by. “Foxcatcher” was in my mind astounding but it’s paced for 1973, very very slow and some of today’s audience didn’t respond to that. But while we can wink and high-five our influences in our scripts, we have to constantly be looking forward.

Apparently, the new Ghostbusters will be a total reboot. Fine. If you’re a Ghostbusters purist and you hate the new one, fair enough. The original Ghostbusters are on DVD, BluRay and digital download for you to enjoy in comfort and safety. Because the older generation is owed nothing by the new. Nothing.

I’m not a big fan of Michael Bay’s Transformers movies. But they draw a metric shit-ton of money from a worldwide audience so no need for me to curse Mr. Bay and his hard-working crews names. (I will refrain from my Galvatron is not a truck rant at this time) I have the originals on DVD and can enjoy them whenever I want. I’m not going to see Kingdom Of The Crystal Skull. I’m not going to see Superman Returns. Our media libraries are becoming impossibly vast so that each generation can enjoy what each generation enjoys without throwing stones at each other.

Because here’s the bad news – let’s say those Paul McCartney tweeters were just joking. There will come a day when a large number of young people WILL have to be told who Paul McCartney is. There will come a day when The Beatles will be a dot in the rearview. Their records will be rarities sought-after by only the most die-hard collectibles. Kids may even have to be taught about The Beatles…in school!!!

Sure they’ll be there but like so many gems from the early to mid 20th-Century, you’ll have to look for them.

Railing against the changing times is screaming at a runaway train with no breaks. Culture will shift, change, move on and there’s literally nothing we can do to stop it. We, instead, should embrace it and do whatever we can to spread the merits of what we find important so that maybe it’s then embraced by the future generation. And stays alive just a little bit longer.

From “Doctor Who: The Chase” when a young companion from the future got a chance to finally see The Beatles:

IAN: Well, where are we now?

VICKI: Shh.

ANNOUNCER [OC]: This is BBC One. The next programme is due to start in just under one minute.

BARBARA: Vicki, what year have you got on there?

VICKI: 1965.

DOCTOR: Come along, come.

IAN: You’ve got a television.

VICKI: Shh!

IAN: showing

VICKI: I want to watch it.

HOST [on monitor]: Here singing their latest number one hit it’s the fabulous wait for it. It’s the fabulous Beatles!

VICKI: Yes! Fabulous!

BEATLES: I think I’m gonna be sad, I think it’s today, yeah! The girl that’s driving me mad, Is going away.

She’s gotta ticket to ride, She’s gotta ticket to ride. She’s gotta ticket to ride, and she don’t care. My baby don’t care.

(Everyone is bopping and singing along until Barbara leans on the volume and they loose the picture)

IAN: Oh, Barbara.

DOCTOR: Now you’ve squashed my favourite Beatles!

IAN: Vicki, I had no idea you knew about the Beatles.

VICKI: Of course I know about them. I’ve been to their Memorial Theatre in Liverpool.

BARBARA: Well, what do you think of them, Vicki?

VICKI: Well, they’re marvellous, but I didn’t know they played classical music!

BARBARA: Classical music?

IAN: Get with it, Barbara. Get with it. Styles change, styles change.

Yes, I see the irony of quoting a 1965 Doctor Who story in an article about staying current. But again, don’t get mad at new Who fans for not seeing those old classics. Tell them why they should. You never know. They just may love it as much as you do.

The Handsome Timmy D Express is proud to be a part of:

The Dan & Travis Show Podcast: An Awesome Thing

http://thedanandtravisshow.libsyn.com/

and 

The Chronic Rift: A series of podcasts that attempt to “find the culture in pop culture.”

http://www.chronicrift.com/

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From The Juke In The Back: An Interview With Matt The Cat

Let me open by thanking everyone for their kind words and feedback on the blog. Readership is growing at a steady but enthusiastic pace it seems and I couldn’t be more happy with where things are at after 8 weeks of launching, so cheers everyone. I’m so glad people are enjoying this!

I’ve been playing with this idea for a while of bringing in other industry pros to talk about the various forms/struggles/joys of the creative life. I’m going to try to line up an interview each week but scheduling may offer some challenges. I’ve got an extensive black book to dig into but am also happy to hear from & feature other aspiring screenwriters, filmmakers or whatnot who are either on the stage or trying to make their way to the stage who have thoughts to share.

This week, we start with someone who is truly excellent at what they decided to do. Matt The Cat is a renowned and acclaimed DJ with experience ranging high school radio to world-famous WERS at Emerson College all the way to his own prime-time show that ran nearly a decade on XM/Sirius. And he’s not stopped there. You’ll hear more about his adventures in the interview, but suffice to say he’s been entertaining a multitudinous and voluminous audience for over 2 decades.

Matt The Cat

I want to keep this blog about the creative challenges of writing (and screenwriting) in particular but already in this first interview I was very surprised (and pleasantly) so at how similar the creative aims of a DJ and a screenwriter actually are.  Hopefully more common ground and challenges will be found as the series progresses.

Now, quick disclaimer: this is sort-of accidental podcasting,  a warts and all conversation recorded over Skype, so a few words cut out here and there.  If more people keep tuning & reading, I’ll look into upgrading then.  Right now, for me, the content is the most important thing so bear with me if it doesn’t sound like a Podcast one production (because it’s not) but this is a great listen with some very poignant reminders from someone who’s excelled in their field.

Without any further ado, sit back, relax and grab a seat on The Handsome Timmy D Express with Matt The Cat:

For more on Matt The Cat, his career and the work he’s doing now to keep music history alive, check out the links below:

The Juke In The Back:

http://www.jukeintheback.org/

Matt The Cat’s homepage:

http://www.mattthecat.com/

Matt The Cat’s official facebook:

https://www.facebook.com/MattTheCatRadio

Matt The Cat’s official twitter:

https://twitter.com/soulcatradio

Matt The Cat’s XM/Sirius work:

https://www.youtube.com/watch?v=_FEEp1lhLlk

Matt The Cat’s Youtube channel:

https://www.youtube.com/channel/UCjWsTnPQDkLeEAMoMjS76ZQ

Thanks for listening & reading!

 

 

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